[et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” max_width=”1280px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_2_text_color=”rgba(0,0,0,0.64)” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” border_width_bottom=”1px” global_colors_info=”{}”]<\/p>\n
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I miei interventi (opere-luogo) dialogano con l\u2019osservatore-uomo attraverso la dimensione estetica e spaziale ampia loro propria e, in molti casi, attraverso la presenza di determinati \u201celementi\u201d (opere-elementi). Questi ultimi si configurano come punti di riferimento del mio linguaggio e sono quindi tramiti appositamente disposti per poter leggere il significato complessivo delle mie opere. <\/p>\n
In many cases, my interventions include precise areas for access and use by the public, paths and observation points. Within these paths, the project sometimes leads to the definition of specific \u201cspatial situations\u201d, where some elements are positioned to capture the attention of the public and structure its ability to perceive. The elements can be considered mediators, capable of proposing or evoking (but never forcing) a particular way of interpreting the site. This interpretation is a deliberately suggested key to understanding my works, but it also leaves open new avenues for free reflection. <\/p>\n
The elements can also be considered separate works within a more general and complex project (the site). In any case, the design concept is always unique. The definition of the entire area in all its aesthetic and ecological aspects, like that of each element, is part of the same personal creative process, which is therefore reflected in a unique and all-encompassing intervention. In the same way that the work-sites are designed to \u201cdialogue\u201d (interact) with the users (not just humans but also other species), the work-elements are likewise conceived with the specific intent of creating a positive and \u201cactive\u201d interaction with the surrounding ecosystem, while performing a pivotal role as intermediaries between the artist and the observer. In fact, from an ecological standpoint, the elements, just like the entire site that contains them, are always carrying out their function day and night and throughout the seasons, regardless of the human observer\u2019s presence. This double significance of both the work-site and, where present, the work-elements is the fundamental feature of all my artworks. <\/p>\n
Carlo Scoccianti<\/p>\n
” content_phone=”<\/p>\n
My works (work-sites) establish a dialogue with the (human) observer through their aesthetic and vast spatial dimensions, and in many cases, this dialogue is highlighted with the presence of certain \u201celements\u201d (work-elements). The latter take shape as points of reference for my artistic language, and are therefore vehicles expressly inserted throughout my design process to allow an understanding of the overall significance of my works. <\/p>\n
In many cases, my interventions include precise areas for access and use by the public, paths and observation points. Within these paths, the project sometimes leads to the definition of specific \u201cspatial situations\u201d, where some elements are positioned to capture the attention of the public and structure its ability to perceive. The elements can be considered mediators, capable of proposing or evoking (but never forcing) a particular way of interpreting the site. This interpretation is a deliberately suggested key to understanding my works, but it also leaves open new avenues for free reflection. <\/p>\n
Gli elementi possono anche essere considerati singole opere all\u2019interno dell\u2019opera pi\u00f9 generale (il luogo): in ogni caso l\u2019idea progettuale \u00e8 sempre un unicum: la definizione dell\u2019area vasta in tutti i suoi aspetti estetici ed ecologici come quella di ciascun elemento fa parte del medesimo percorso creativo personale che trova quindi riscontro in un unico progetto di intervento. Come le opere-luogo sono progettate per \u201cparlare\u201d (interagire) non solo con il fruitore uomo ma anche con le altre specie presenti, anche gli elementi, al di l\u00e0 del ruolo cardine che rivestono come tramite fra l\u2019artista e l\u2019osservatore, sono progettati con precise finalit\u00e0 di interazione positiva e \u201cattiva\u201d con tutto l\u2019ambiente circostante. Gli elementi, infatti, esattamente come tutto il luogo che li contiene, agiscono dal punto di vista ecologico sempre, indipendentemente dalla presenza dell\u2019uomo osservatore, di giorno come di notte e in ogni stagione. Questa doppia valenza sia dell\u2019opera-luogo sia, dove presenti, delle opere-elementi \u00e8 la caratteristica fondamentale di ogni mio progetto. <\/p>\n
Carlo Scoccianti<\/p>\n
” content_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
My works (work-sites) establish a dialogue with the (human) observer through their aesthetic and vast spatial dimensions, and in many cases, this dialogue is highlighted with the presence of certain \u201celements\u201d (work-elements). The latter take shape as points of reference for my artistic language, and are therefore vehicles expressly inserted throughout my design process to allow an understanding of the overall significance of my works. <\/p>\n
In many cases, my interventions include precise areas for access and use by the public, paths and observation points. Within these paths, the project sometimes leads to the definition of specific \u201cspatial situations\u201d, where some elements are positioned to capture the attention of the public and structure its ability to perceive. The elements can be considered mediators, capable of proposing or evoking (but never forcing) a particular way of interpreting the site. This interpretation is a deliberately suggested key to understanding my works, but it also leaves open new avenues for free reflection. <\/p>\n
The elements can also be considered separate works within a more general and complex project (the site). In any case, the design concept is always unique. The definition of the entire area in all its aesthetic and ecological aspects, like that of each element, is part of the same personal creative process, which is therefore reflected in a unique and all-encompassing intervention. In the same way that the work-sites are designed to \u201cdialogue\u201d (interact) with the users (not just humans but also other species), the work-elements are likewise conceived with the specific intent of creating a positive and \u201cactive\u201d interaction with the surrounding ecosystem, while performing a pivotal role as intermediaries between the artist and the observer. In fact, from an ecological standpoint, the elements, just like the entire site that contains them, are always carrying out their function day and night and throughout the seasons, regardless of the human observer\u2019s presence. This double significance of both the work-site and, where present, the work-elements is the fundamental feature of all my artworks. <\/p>\n
Carlo Scoccianti<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_text disabled_on=”on|off|off” _builder_version=”4.27.0″ _module_preset=”default” text_font=”|||on|||||” custom_margin=”||0px||false|false” custom_padding=”||0px|12px|false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”on|off|off” _builder_version=”4.27.4″ _module_preset=”default” text_font=”||||||||” text_text_color=”#666666″ text_font_size=”14px” text_line_height=”1.8em” custom_margin=”|0px||0px|false|false” custom_padding=”|0px||12px|false|false” hover_enabled=”0″ custom_css_free_form=”\/* unvisited link *\/||a:link {|| color: black;||}||||\/* visited link *\/||a:visited {|| color: black;||}||||\/* mouse over link *\/||a:hover {|| color: #34b1eb;||}||||\/* selected link *\/||a:active {|| color: black;||}” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Plinths for Living Statues<\/a> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Work-site and work-element: definitionsMy works (work-sites) establish a dialogue with the (human) observer through their aesthetic and vast spatial dimensions, and in many cases, this dialogue is highlighted with the presence of certain \u201celements\u201d (work-elements). The latter take shape as points of reference for my artistic language, and are therefore vehicles expressly inserted throughout my design process to allow an understanding of the overall significance of my works. In many cases, my interventions include precise areas for access and use by the public, paths and observation points. Within these paths, the project sometimes leads to the definition of specific \u201cspatial situations\u201d, where some elements are positioned to capture the attention of the public and structure its ability to perceive. The elements can be considered mediators, capable of proposing or evoking (but never forcing) a particular way of interpreting the site. This interpretation is a deliberately suggested key to understanding my works, but it also leaves open new avenues for free reflection. The elements can also be considered separate works within a more general and complex project (the site). In any case, the design concept is always unique. The definition of the entire area in all its aesthetic and ecological aspects, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-27546","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/pages\/27546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/comments?post=27546"}],"version-history":[{"count":2,"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/pages\/27546\/revisions"}],"predecessor-version":[{"id":27548,"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/pages\/27546\/revisions\/27548"}],"wp:attachment":[{"href":"https:\/\/www.artlands.net\/en\/wp-json\/wp\/v2\/media?parent=27546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Interventions<\/h3>\n
Birdwatching?<\/a>
Enclosing with Water<\/a>
Coleps<\/a>
Ecotones<\/a>
Linear Habitat<\/a>
Habitat (R)Evolution, from Amphibians to Birds<\/span><\/a>
The House<\/a>
The New \u201cBandita\u201d<\/a>
Throwing the First Stone<\/a>
The Sluice Gates<\/a>
Beyond Agnes Denes (tribute to)<\/a>
Observatory \u2013 Cobble Habitat<\/a>
Stepping stone<\/a>
Toponym<\/a><\/p>\n